-
Recent Posts
Recent Comments
Queen Dee on a final dream of flight Denise Wooten on crazy((NPM2017 # 8) August Wilson and Fe… on The American Century Cycl… platonegro on shoestrings chelleechauxnuff on shoestrings Archives
- July 2020
- April 2020
- July 2019
- October 2018
- May 2018
- September 2017
- August 2017
- April 2017
- March 2017
- January 2017
- December 2016
- November 2016
- October 2016
- September 2016
- July 2016
- June 2016
- May 2016
- March 2016
- February 2016
- January 2016
- December 2015
- November 2015
- October 2015
- September 2015
- August 2015
- July 2015
- June 2015
- May 2015
- April 2015
- March 2015
- February 2015
- January 2015
- December 2014
- November 2014
- October 2014
- September 2014
- August 2014
- July 2014
- June 2014
- May 2014
- April 2014
- March 2014
- February 2014
- January 2014
- December 2013
- November 2013
- September 2013
- August 2013
- July 2013
- June 2013
- February 2013
- January 2013
- December 2012
- November 2012
- September 2012
- July 2012
- May 2012
- February 2012
- January 2012
- December 2011
- November 2011
- October 2011
- August 2011
- July 2011
- June 2011
- May 2011
- April 2011
- February 2011
- December 2010
- November 2010
- October 2010
- September 2010
Categories
- (NPM2017)
- artist scholar
- arts scholarship
- August Wilson
- belonging
- Black Arts
- Brick House Collection
- Craft
- drama instruction
- film review
- first language
- Grounding One's Self On A Moving Train
- I'm Just Saying!
- INK
- journal
- Letter's From Lover's Rock
- Life.
- literacy through the arts
- mentoring
- non fiction essay
- non-fiction
- North American African Perspective
- Performance work
- Performing Arts
- place
- Poems for the Water
- Poetry
- right handed poems
- spokenword
- Tales of Iron and Water
- That New Millennium Dime
- The Gratitudes
- The Horse Eaters
- the lower bottom playaz
- Theater
- Uncategorized
- warrior art
- work in progress
Meta
Blog Archives
Visible
its not the hoodies or the skittles BART rides not the wallet he pulled out or the comb the cell phone not the toy gun or the raised empty hands perhaps its the kiss of melanin the brown black velvet-ness … Continue reading
idenity
tempered, forged, amalgamated solid containing an internal logic no predicable ambient point not likely to melt in benign circumstance likely to reassemble in its original pattern coalesced from remnants stubborn essential parts determining a whole complete with its own center … Continue reading
Ralph Ellison’s Song
slain by ink again & again made invisible unseen conjured on the 11 o’clock news new mau mau’s jeans low wild threats to civility written on like a wall like an epitaph suffering on the margin blues after notes air … Continue reading
The Lower Bottom Playaz:FENCES at The African American Museum and Library at Oakland.
Lower Bottom Playaz, Inc, under the direction of Ayodele Nzinga, MFA, PhD present the 6th of the 10 play cycle on their march to be the first troupe ever to do all ten in chronological order. http://www.TalesofIronandWater.com
Posted in Uncategorized
Tagged #augustwilson, #ayodelenzinga, #centurycycle, #lowerbottomplayaz, #oaklandca, Fences, theater
Leave a comment
FENCES: Art Without Borders–Wilson the Universalist
FENCES: Art Without Borders–Wilson the Universalist The Lower Bottom Playaz, the oldest North American African theater troupe in Oakland CA is presenting FENCES as a part of its commitment to August Wilson’s Century Cycle. FENCES is perhaps the most familiar … Continue reading
Posted in August Wilson, Black Arts, non fiction essay, North American African Perspective, Performing Arts, Tales of Iron and Water, Theater
Tagged African American, august wilson, ayodele wordslanger nzinga, blk arts, Fences, hill district, lower bottom playaz, North American African Theater, Pittsburgh, Romare Bearden, short essay, The Century Cycle, the ground on which I stand, warrior art, West Oakland CA
1 Comment
Pragmatic Optimism
The figs did not ripen this year nor did the dreams of democracy in the land of the free the hard green fruit only skin and seeds absent the flesh necessary to sustain the living who are left with only … Continue reading
Posted in Life., North American African Perspective, Poetry, spokenword
Tagged ayodele wordslanger nzinga, blk arts, life lessons, lyrical poetry, poetry, spokenword
1 Comment
Unlikely Magicians
Theater offers you a chance to solve a character’s problem, enjoy his destiny, fight along side him against his fate. Theater gives a performer a place to spend the emotional currency stored in an their well of lived experiences, it gives you a place to go when it is necessary to vacate your own reality temporarily for the sake of being able to carry it when you are forced to return to it. Continue reading
Posted in Black Arts, Craft, non fiction essay, North American African Perspective, Performing Arts, Tales of Iron and Water
Tagged Actor, Arts, august wilson, ayodele nzinga, century cycle, lower bottom playaz, Magicians, North American African Perspective, Performing arts, Seven Guitars, sr. thea bowman memorial theater, Tales of Iron and Water, Theatre, Wilson
Leave a comment
First Funeral, 2013
Forever young never to be a grand father early in your day the work of you is done you were like the heat that never found the sun the shine resting in the diamond the tune up before the song … Continue reading
Oakland Bratton Venezuela 3.0
Guest Editorial by Jean Damu Was Oakland Police Consultant William Bratton involved in the failed Venezuela coup? And if he was, should Oaklanders be concerned? By Jean Damu Hundreds of Oakland residents turned out recently to voice their opinions about … Continue reading
Un-naturalized
are we the ones we
so need someone
when I was little
I waited for some one
to come then I decided
to be someone