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Category Archives: Craft
black and white (NPM2017 # 4)
imagine me as i am fiercely beautiful a black and white negative growing in the shade of contempt like a desert rose fragrant in the funk of it unbowed refusing to be broken being everything else and then some more … Continue reading
the house hustle made
this is the house hustle made born blessings due 101 in the shade rough rider striding through life behind the veil imperial no fade the light in the house hustle made instructed by the bones bottom of the ocean on … Continue reading
Two Trains Running: Lower Bottom Playaz Next Stop
Season 14 for the Lower Bottom Playaz starts with Two Trains Running by August Wilson. Wilson is one of America’s finest playwrights, his work The American Century Cycle is his signature writ large on the American theaterscape. His unduplicated accomplishment … Continue reading
Posted in August Wilson, Black Arts, Craft, non fiction essay, North American African Perspective, Performing Arts, Tales of Iron and Water, Theater, work in progress
Tagged august wilson, ayodele wordslanger nzinga, blk arts, lower bottom playaz, North American African Perspective, warrior art
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Unlikely Magicians
Theater offers you a chance to solve a character’s problem, enjoy his destiny, fight along side him against his fate. Theater gives a performer a place to spend the emotional currency stored in an their well of lived experiences, it gives you a place to go when it is necessary to vacate your own reality temporarily for the sake of being able to carry it when you are forced to return to it. Continue reading
Posted in Black Arts, Craft, non fiction essay, North American African Perspective, Performing Arts, Tales of Iron and Water
Tagged Actor, Arts, august wilson, ayodele nzinga, century cycle, lower bottom playaz, Magicians, North American African Perspective, Performing arts, Seven Guitars, sr. thea bowman memorial theater, Tales of Iron and Water, Theatre, Wilson
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Seven of One, Five of the Other: Half way through August Wilson’s Century Cycle
Wilson is a bluesologist and we are blues people. Avotcja Jiltonilro explained to me once that the blues as we know it actually evolved from praise music not from the angst of the American experience as we have been taught. It is our song. Our ever overstanding of the beauty and majesty inherent in life and our heart’s determination to continue beating. Continue reading
Posted in Black Arts, Craft, non fiction essay, North American African Perspective, Performing Arts, Tales of Iron and Water, Theater, work in progress
Tagged august wilson, ayodele nzinga, black arts, blues, blues people, century cycle, drama, hill district, lower bottom playaz, movement and time as themes, sr. thea bowman memorial theater, theater, West Oakland, wordslanger
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Ma Rainey’s Black Bottom
In the sorrowful funk and divine fury of the music there is a delicately etched study of humanity for us to consider if we want more than entertainment from our theater. Continue reading
A Song of August Wilson or The Lion’s Roar, Parts 1, 2 and 3.
There is no return from this baptism by Wilson. Nothing will ever be the same again. I have been caught by the piper. I follow the roar of the lion.
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Posted in Black Arts, Craft, journal, North American African Perspective, Performing Arts
Tagged august wilson, ayodele wordslanger nzinga, black arts, gem of the ocean, Joe Turner's Come and Gone, lower bottom playaz, nation building, North American African Perspective, the ground on which I stand, theater, warrior art
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