-
Recent Posts
Recent Comments
Queen Dee on a final dream of flight Denise Wooten on crazy((NPM2017 # 8) August Wilson and Fe… on The American Century Cycle platonegro on shoestrings chelleechauxnuff on shoestrings Archives
- July 2020
- April 2020
- July 2019
- October 2018
- May 2018
- September 2017
- August 2017
- April 2017
- March 2017
- January 2017
- December 2016
- November 2016
- October 2016
- September 2016
- July 2016
- June 2016
- May 2016
- March 2016
- February 2016
- January 2016
- December 2015
- November 2015
- October 2015
- September 2015
- August 2015
- July 2015
- June 2015
- May 2015
- April 2015
- March 2015
- February 2015
- January 2015
- December 2014
- November 2014
- October 2014
- September 2014
- August 2014
- July 2014
- June 2014
- May 2014
- April 2014
- March 2014
- February 2014
- January 2014
- December 2013
- November 2013
- September 2013
- August 2013
- July 2013
- June 2013
- February 2013
- January 2013
- December 2012
- November 2012
- September 2012
- July 2012
- May 2012
- February 2012
- January 2012
- December 2011
- November 2011
- October 2011
- August 2011
- July 2011
- June 2011
- May 2011
- April 2011
- February 2011
- December 2010
- November 2010
- October 2010
- September 2010
Categories
- (NPM2017)
- artist scholar
- arts scholarship
- August Wilson
- belonging
- Black Arts
- Brick House Collection
- Craft
- drama instruction
- film review
- first language
- Grounding One's Self On A Moving Train
- I'm Just Saying!
- INK
- journal
- Letter's From Lover's Rock
- Life.
- literacy through the arts
- mentoring
- non fiction essay
- non-fiction
- North American African Perspective
- Performance work
- Performing Arts
- place
- Poems for the Water
- Poetry
- right handed poems
- spokenword
- Tales of Iron and Water
- That New Millennium Dime
- The Gratitudes
- The Horse Eaters
- the lower bottom playaz
- Theater
- Uncategorized
- warrior art
- work in progress
Meta
Category Archives: Performing Arts
Flowers for the Trashman, Director’s Notes
“The average child can tell you more about his favorite artist than he can his own family. The everyday adult knows how to talk at children but spends little time talking to them as equal humans with viable information about themselves and their environment to offer. We are alone, traveling together on a blue ball spinning in space, more connected than ever before, and yet we are alone, isolated in our individual stories of self…” Continue reading
Eight of Ten: Jitney, a Director’s Note
I am mid way through the production of Jitney. Only 3 shows left. It’s the second show of the cycle we have done at the Flight Deck in newly dubbed “Uptown”, (used to be plain old downtown), Oakland. This is … Continue reading
August Wilson and Ferguson
Wilson noted: “I think my plays offer (white Americans) a different way to look at black Americans,” he told The Paris Review. “For instance, in ‘Fences’ they see a garbageman, a person they don’t really look at, although they see … Continue reading
Lower Bottom Playaz present August Wilson’s ‘Two Trains Running’
Lower Bottom Playaz present August Wilson’s ‘Two Trains Running’.
suicide note to frantz fanon
& when i did become this pale non-reflection of myself when did i slip into the suit you brought with you discarding myself to fit inside not be left on the margin bleeding and dying like the naked savages you … Continue reading
Two Trains Running: Lower Bottom Playaz Next Stop
Season 14 for the Lower Bottom Playaz starts with Two Trains Running by August Wilson. Wilson is one of America’s finest playwrights, his work The American Century Cycle is his signature writ large on the American theaterscape. His unduplicated accomplishment … Continue reading
Posted in August Wilson, Black Arts, Craft, non fiction essay, North American African Perspective, Performing Arts, Tales of Iron and Water, Theater, work in progress
Tagged august wilson, ayodele wordslanger nzinga, blk arts, lower bottom playaz, North American African Perspective, warrior art
1 Comment
FENCES: Art Without Borders–Wilson the Universalist
FENCES: Art Without Borders–Wilson the Universalist The Lower Bottom Playaz, the oldest North American African theater troupe in Oakland CA is presenting FENCES as a part of its commitment to August Wilson’s Century Cycle. FENCES is perhaps the most familiar … Continue reading
Posted in August Wilson, Black Arts, non fiction essay, North American African Perspective, Performing Arts, Tales of Iron and Water, Theater
Tagged African American, august wilson, ayodele wordslanger nzinga, blk arts, Fences, hill district, lower bottom playaz, North American African Theater, Pittsburgh, Romare Bearden, short essay, The Century Cycle, the ground on which I stand, warrior art, West Oakland CA
1 Comment
Fences
Fences starring The Lower Bottom Playaz. Oakland CA. October 2013. http://www.lowerbottomplayaz.com http://www.TalesofIronandWater.com
The Last Laureate of Newark
The Last Laureate of Newark: Oakland Local Article- Remembering Amiri Baraka. The Last Laureate of Newark (A Love Supreme) There is no laureate poet in Newark as he ascended to jam with the out and gone went to where the lore … Continue reading →
Share this:
Like this: